17a24fe880b8b0309b84ca0cd2e4531faa92bbfd
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Commits
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17a24fe880 |
Merge pull request #296 from Coffey-Labs/palettes-twelve
Six more palettes, taking the picker to twelve |
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befe1dbf53 |
Six more palettes, taking the picker to twelve
Catppuccin, Solarized, Ayu, Kanagawa, Everforest and Primer, each with the light and dark variant its own project publishes: Latte and Mocha, Lotus and Wave, and so on. Values were fetched from each project's own repository and recorded in .palette-sources/palettes-upstream.md, with the two tiers no project publishes marked derived rather than passed off as upstream. Four candidates were rejected rather than adapted. Nord and Synthwave '84 publish no light variant, and inventing one is not porting a theme. Monokai is proprietary and its licence forbids redistribution. Material Theme has become a commercial product whose repository no longer publishes a palette at all. Body text is now lifted for contrast like every other text tone rather than exempted and merely checked. Most of these palettes target their own ~4.5:1 for body text where ihasmail asks 7:1, so the old rule would have rejected five of the six on a bar their designers never aimed at. Nudging the published colour along its own hue is what the script already does for muted text, links and accents, and every shift is printed in the generated CSS: Solarized light moves 4.13 to 7.07, Primer needed nothing at all. Primer is named for the design system, not for GitHub. The colour values are MIT; the name and the logo are trademarks, and NOTICE says plainly that nothing here is endorsed. The picker grid already wrapped on its own, so twelve cards needed no layout change. |
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276ecfccff |
Stop naming every palette in the credit line
The hint under the theme picker listed the third-party palettes by name. That sentence is translated into nine languages, so every palette added meant rewriting it, retranslating it nine times, and leaving the previous version behind as a stale key nothing looks up. It now describes the rule instead of enumerating the cases: a palette named after another project is that project's work, used under its own licence. True of the four here, true of the next one, and true without saying "MIT" for a palette that might not be. The names are already in Settings beside each swatch and in NOTICE with their copyright lines, which is where a credit belongs. Swapped rather than added in all nine catalogues, so the old key is gone rather than left stale: 1,255 of 1,279 translated per locale, unchanged, and the 41 pre-existing stale keys are neither added to nor cleaned up here. |
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2464c9655f |
Let the theme be forced onto mail that styles itself
Appearance gained "Apply the theme to messages too" some time ago, and it themes an HTML message only when the message brings no colours of its own. That predicate is the right default and it almost never passes: one `color:#FFFFFF` on one button label opts a whole message out, so in real mail — receipts, shipping notices, anything from a template — the switch did nothing at all and the reader kept a bright white card on a dark UI. A second switch, off by default and only meaningful with the first on, forces the palette over the sender's colours. It cannot be done perfectly, which is why it is a separate, explicit choice: the same bargain a dark-reader extension makes. What it does is tell two kinds of colour apart. A *sheet* the design sits on — the white 600px wrapper — is neutralised, and a *painted surface* — a call to action, a footer banner — is kept whole so its label stays legible on it. Relative luminance decides, at 0.5: white wrappers sit at 1.0, a blue button near 0.09. Only the painted ones are marked, with data-ihm-keep, and one rule in EMAIL_BASE_CSS neutralises everything else. Nothing the sender wrote is removed, so the switch is reversible, colours arriving from a <style> block are covered as well as inline ones, and print still pins the tokens to ink on white. The mock grew the message this is about: an outer wrapper on bgcolor="#ffffff", a <style> block, a coloured button, a grey footer. Without one, neither the bug nor the fix could be seen. Verified in a browser against the mock: with only the first switch on the card is still white; with both, the wrapper computes to transparent, body text follows the theme, and the button keeps white-on-blue. Two surfaces marked, which are the two the message paints. Closes #290 |
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b10149fd54 |
Translate three lists the code was rendering raw
A native speaker reviewing the German catalogue reported strings appearing in English (#247). Three of the reported areas turned out not to be missing translations at all: the strings were there, and the code was rendering the English source instead of asking for one. The Sieve rule dialog rendered HEADER_CHOICES and HEADER_OPS labels directly. All sixteen are already in every catalogue -- "Subject" has been "Betreff" in de.ts all along, which is exactly the inconsistency the reporter noticed against the Out-of-office page, where it already reads Betreff. Wrapping the two dropdowns fixes nine languages at once and adds nothing to any catalogue. The keyboard shortcut panel rendered each binding's group and description directly. Those are registered in English at the call sites and should stay that way -- the binding table is data and the English is the catalogue key -- so the panel translates them at render instead. A binding added anywhere is then translatable without its registrar knowing i18n exists. The palette grid marks every name translate="no". That is right for ihasmail, Dracula, Gruvbox, Rosé Pine and Tokyo Night, which are names. "Classic" is an adjective describing the theme, not a name, so PaletteMeta gains a `translatable` flag for the one entry that is a word. Flagging the exception beats dropping the attribute from all six. No catalogue changes here: the strings the first two need are already present in all nine. "Classic" needs an entry, which lands with each language. |
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457ea53ca3 |
Let an installation seed and lock user settings
The first two thirds of #207. A school wanting "warn about outside senders" on for three thousand pupils cannot ask three thousand pupils, and the reporter is right that this is a company policy rather than a preference. Two powers, and the difference between them is the whole request. `defaults` seed an account that has never had settings of its own and can be changed afterwards like anything else -- a starting point, not a rule. `enforced` are reapplied on every load and cannot be changed at all. Enforced controls stay visible and go dead, with a line saying why. The issue asked for that by name: a control that is simply missing reads as a bug to somebody who has used ihasmail without a policy. The lock is in the settings store rather than only on the controls. There is one door -- `update` -- and putting it there means an imported settings file, a settings file synced from a device that predates the policy, and a control somebody adds later and forgets to check are all covered by construction. Reset goes back to the installation's answer rather than to ihasmail's, so it cannot be a way around a policy either. Configured by environment variable or by a file, because ihasmail's own production runs read-only with no volume: an installation that cannot mount a file can still set a variable. Keys this build does not have are dropped, the same rule an imported settings file already gets -- a policy written against a newer ihasmail must not put a setting nothing reads into everybody's synced settings file. Malformed JSON stops the server rather than quietly doing nothing, since a policy that silently did not apply is indistinguishable from the feature not working. Tier three -- enforcing a setting once while still letting readers change it afterwards -- is not here. It needs a decision the reporter and I have not made yet, and it is the only part that stores anything new. Refs #207. |
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9aa0eda0d5 |
Six palettes, each with a light half and a dark one
The theme was one enum -- system, light, dark, ihasmail -- where one value carried a whole palette and implied dark. That works for exactly one palette. The two questions now come apart: which palette, and which side. Classic is the plain light and dark this app has always had. ihasmail's own palette gains a day version, so the background of the dark one becomes the text of the light one and the two read as one palette from either end. Dracula, Gruvbox, Rosé Pine and Tokyo Night are the work of their own projects, used under the MIT licence, and taken from each project's own repository rather than from anyone's reimplementation. What was fetched is recorded in .palette-sources/ and credited in NOTICE. Giving ihasmail's palette a light half removed a whole special case. Nothing is one-sided any more, so a palette can no longer override the mode, the toggle no longer has to set a palette aside on the way to light and remember it, and the greyed-out control that explained all that is gone. The old lastDarkTheme, which existed only for that, is gone with it. The shades between the published colours are derived rather than guessed: these projects publish twelve to twenty values and ihasmail needs about thirty. scripts/build-palettes.py computes the tiers and then measures every text colour against the surface it sits on -- 4.5:1 for prose, 3:1 for borders and marks -- lifting anything short towards white on a dark ground and towards black on a light one, so a lifted tier keeps its hue. It refuses to write a palette that would not pass. Every one of the nine halves needed at least one lift. These palettes are built for code editors, not for prose at this size: Dracula's comment grey is 3.03:1 on its own background and Rosé Pine's gold is 2.7:1 on Dawn. Shipping them as published would have quietly ended the WCAG AA claim. Two things caught while checking rather than while writing. The generated blocks were appended to the end of the stylesheet, which put them after the accent variants at equal specificity -- so choosing an accent over one of the new palettes did nothing at all. They now sit before those rules, where the existing ihasmail block's own comment says they have to. And that block was unqualified, so it would have shadowed the new light half; it is now explicitly the dark one. Settings written before this carry `theme` and no palette, and are read through the old enum. `theme` is still written back, derived, because a device on an older build reads it and would otherwise be stranded on a theme nobody chose. |
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87383440bb |
German, generated by AI and marked Beta until somebody signs it off
The first language, and the first one where the honest thing to say is not flattering: no native speaker has read it. That is stated in the app rather than in a commit nobody reads, because it is the fact a reader needs to judge what they are looking at. Somebody told a translation is unchecked forgives an odd sentence and reports it; somebody told it was reviewed reasonably concludes the product is sloppy. The setting carries a link straight to a report, which is the whole review process here. `beta` is a property of the language, not of the catalogue's completeness. A file can be word-for-word finished and still read like a machine wrote it, and that is what the flag marks. Removing it is a person's decision. Register is "Sie", consistently, and written down in the file so the next language and the next contributor inherit the decision rather than re-take it. Thunderbird and Outlook use it; ihasmail is as often a company's mail as somebody's own, where "du" from software the workplace deployed reads as presumptuous. Where a string can dodge the question it does, which is ordinary good German UI. The glossary at the top of the file fixes the vocabulary once -- Posteingang, Papierkorb, Entwürfe, archivieren -- because inconsistency reads as amateur far more than an imperfect word choice does. "Label" and "Spam" stay English, since translating them would name things no German mail client calls that. 766 of 781 strings. The fifteen left are product names, bare URLs and example addresses, which should stay English and now do. Two things this turned up that the earlier work had hidden: Labels defined as module-level constants -- the entire settings navigation, the theme cards, the swipe choices, the date formats, the sharing permissions -- are evaluated once, before any catalogue loads, so they could only ever be English. Nothing failed; the German build simply had an English sidebar. They are translated where they render now, which keeps the constant as data and makes its English text the key. And the codemod's narrowed rule, which let it take 73 more strings last time, was too broad after all: text stranded after an inline <a> or <strong> came through as sentence fragments -- ", and what a new account starts on." Eight of them, rebuilt with tNode so the sentence stays whole and the element is a named hole a translator can move. scripts/i18n-catalog-check.mjs is new and earned itself immediately: it found three keys invented that the code never asks for, which is the silent failure in a catalogue -- a translation that looks right, is never looked up, and renders English for ever. It also had to be taught about t(variable), because it cried wolf 33 times over the constants above, and a check that cries wolf gets switched off. Verified in the browser rather than only in tests, which is where the settings sidebar being English was visible and nowhere else. |
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3f4b33cb51 |
Finish extraction: 100%, and a coverage number worth believing
The 143 the codemod refused turned out to be two different things, and only
one of them needed a person.
A third were phrases sitting next to an icon -- `<Plus /> New rule`. The
refusal rule was "has siblings", which is broader than the danger: what breaks
a translation is a sibling that renders *text*, splitting a sentence into
fragments no one can reorder. An element beside a phrase does not. Narrowing
the rule to text-producing siblings let the codemod take 73 more.
The rest were real sentences with values in the middle, rebuilt by hand as
named placeholders -- "Your active script “{name}” was written by hand",
"Waiting on the server — goes out {when}." Named rather than positional
because a translator moves the parts around; counted things go through
plural() so Russian and Ukrainian get their three forms rather than English's
two.
Sentences with an element inside them needed something new. `Open <code>mailto:
</code> links in ihasmail` has two obvious treatments and both are wrong:
splitting it into two t() calls hands over fragments that cannot be reordered,
and dropping the <code> keeps the sentence whole but loses the monospace that
said "this is a literal". tNode() keeps the sentence whole and makes the
element a named hole in it, so a translator sees one sentence and can put the
hole where their language wants it. The German test asserts exactly that: the
same call renders the code first when the catalogue says so.
The coverage number was also lying, and it is worth saying how. It counted
text inside <code> and inside translate="no" as untranslated work, and
placeholders like "123456" and "+1 555 0100" -- a one-time code and a phone
format. None of those will ever be translated, so the report sat at 21 with 6
real items left. A number with an unreachable floor is something to argue with
rather than act on, so the tool now applies the same rules the codemod does.
596 wrapped, nothing remaining. Verified in the browser across 15 views, which
is where the last bulk pass hid a bug the tests could not see: no entities, no
unfilled placeholders, no raw t( in rendered text, and the toggle switches that
looked like emptied labels are text-free by design.
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8ea611f7f7 |
Extract 515 strings by codemod, and the two bugs only a screenshot caught
Wrapping ~1,000 strings by hand is a thousand chances to mistype the copy
itself, and a parser does not get bored. scripts/i18n-extract.mjs does the
mechanical part -- JSX text and the attributes a person actually reads -- and
refuses the rest rather than guessing. 78% now: 515 wrapped, 143 left.
What it refuses matters as much as what it does. Text split around an
interpolation arrives as separate fragments, and wrapping each on its own
produces "Move " and " messages", which no translator can do anything with;
those are listed for a person to rebuild as sentences. So is anything
containing a double quote, which would end the literal.
Three things it had to be taught, each found by running it:
- <code>, <kbd> and <pre> are not prose. The first run wrapped `label:name`
inside <code> -- a search operator, where translating it breaks the thing it
documents. Subtrees marked translate="no" are skipped for the same reason.
- `t` is a natural name for a callback parameter and several files already use
it, so an import called `t` is shadowed inside those callbacks -- silently,
wherever the local happens to be callable. The name is checked per file now
and aliased to `translate` where it is taken.
- JSX decodes HTML entities and a JS string literal does not, so
`Language & region` moved into t("...") and rendered the entity on screen.
That last one is the one worth remembering. Typecheck passed, 443 tests
passed, and the page said "Language & region" in plain sight. It took
looking at a screenshot, and then a sweep of ten views to find the second
occurrence in a sentence I had written by hand earlier the same day. Nothing
in the toolchain was ever going to catch it: it is valid TypeScript rendering
valid text that happens to be wrong.
The codemod decodes entities now, and checks for a quote after decoding rather
than before.
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be1d787b5f |
Defend against Chrome rewriting the DOM, and add the language setting
Groundwork for un-shelving translations. Chrome's translator rewrites the rendered DOM directly, wrapping text nodes in <font> elements React has never heard of, and the next update can then call removeChild against a parent whose children have moved (facebook/react#11538). This is the structural defence against that, plus the setting the served language will read from. The language setting is `uiLanguage`, and it is deliberately not the `locale` field that already exists. That one is a formatting choice -- what calendar, clock and numerals to use -- and folding the two together would silently rewrite everybody's date format the first time they picked a language. German dates with an English interface is a real preference, and so is the reverse. It defaults to English when absent, which covers both a new account and every settings file written before this, and Accept-Language is not consulted: a served locale should be something the reader chose rather than something guessed and then written down as though they had. Only languages with strings shipped are offered, which today means English alone -- a picker entry without a catalogue behind it would leave the page claiming a language it is not in, which stops a reader translating a page they cannot read. `<html lang>` is set where applyTheme is set: at store module load, from the localStorage cache, before createRoot() has rendered anything. Not in an effect -- a lang that is briefly wrong is enough to raise the translate prompt on a page that needed none. There is no server-rendered alternative to reach for here: ihasmail serves a static shell and holds no account state, and the settings file lives in the reader's own JMAP Files, so reading it before the page existed would mean authenticating to Stalwart on every page load. The static lang="en" in index.html covers the first bytes; the store only ever corrects a reader who chose otherwise. Both halves are tested. translate="no" and class="notranslate" go on the narrow boundaries only: rendered email bodies, raw message source, attachment text, the generated and hand-edited Sieve, the brand and the login name. Not on <body> -- someone whose language ihasmail does not speak yet should still be able to translate the parts that are ours. Email bodies turn out to live in a shadow root, so React never reconciles them and they were never a crash risk; the marker there is about not rewriting what a sender actually wrote. Twenty-four fragile interpolation points were found with the TypeScript parser rather than grep, and fifteen refactored. Pluralisation and "count + label" pairs are collapsed into a single expression so the text is a lone child React updates with textContent, rather than a text node with conditional siblings to insert around. One of them -- InviteCard's {method === "REPLY" && organizer ? "" : ""} -- rendered an empty string either way and is simply gone. The boundary is scoped to the main content, so the header, folder tree and any open composer sit outside it and survive independently. It recovers by remounting the subtree, which costs nothing because everything inside re-derives from the stores, and it logs at info rather than error: a reader translating a page is expected and recovered from, and filing it as an error would put an entry in every console-reading reporter for behaviour that worked. It re-raises anything that is not a DOM mutation error, so a real bug still surfaces as one, and it gives up after three attempts rather than looping invisibly. Worth recording: the crash could not be reproduced on React 19.2.8. Wrapping 207-249 React-managed text nodes in <font>, exactly as the translator does, then driving in-place conditional toggles and navigations, left the app intact with the boundary never firing. The original issue is from React 16 and the reconciler has changed a great deal since. So this lands as defence whose premise is weaker than assumed rather than as a fix for something observed here, and the boundary is insurance rather than a load-bearing part. The notranslate markers and the collapsed interpolations stand on their own merits either way. |
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b2769b9011 |
Give the mail list the gestures a phone already has
ihasmail's mail list was built for a mouse. A row is clicked, right-clicked and dragged into a folder, and on a touchscreen two of those three do not exist -- so the phone layout had the shape of a mail app and none of the handling, and the things people reach for first simply did nothing. Four gestures, all touch-only, so a mouse keeps drag-to-folder unchanged: - Swipe a row sideways to act on it. Each direction is a setting -- right archives and left deletes by default, matching the app the phone came with -- and the strip revealed behind the row names what will happen in the folder it is happening in: "Delete forever" out of Deleted Items, "Not spam" inside Junk Mail, and nothing at all where the action is a no-op, in which case the row will not move that way. - Hold a row to select it. Selection was reachable already, by aiming at a checkbox beside an avatar, which is not how anyone selects mail on a phone. The selection toolbar gained an overflow menu at the same time: report spam, mark unread and label were hidden on narrow screens and had nowhere else to be, so touch selection could not reach them at all. - Hold a folder for the menu its ⋮ button opens. - Pull the list down to refresh, and drag in from the left edge of a conversation to go back. The toolbar's button and arrow both stay: a gesture with no visible control is one only the people who already know about it can use. The arithmetic behind them is in lib/touch.ts, away from the components and under test, because the numbers are the whole thing: an axis lock biased towards the vertical, so a diagonal flick stays a scroll rather than deleting whatever it passes over. Two layout bugs turned up while checking this on a 390px screen, both older than the gestures. The app shell is a grid with only its rows named, so it took an implicit auto column sized to the top bar's min-content -- about 470px -- and every message row ran off the right of the glass with its date beyond the edge. The column is now stated as minmax(0, 1fr), and the search field is allowed to shrink. Full-screen surfaces measure in dvh rather than vh, and the tab bar, drawer and compose button keep out from under the notch and the home indicator. |
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8487f561f6 |
Add the ihasmail theme, and make it the default
A dark theme carrying ihasmail.org's palette: a teal-navy ground rather
than the blue-slate of the plain dark theme, with the orange the logo's
cat is drawn in doing the work of the star and the warning colour. The
values are the site's own, read from its stylesheet rather than picked
by eye.
It is a theme rather than an accent because it changes backgrounds,
borders and text as well as the highlight -- an accent could not.
It rides on data-theme="dark" and adds data-palette="ihasmail" on top,
so the eleven dark-only rules further down the stylesheet keep applying
without being duplicated for a second dark theme. Specificity then does
something deliberate: the palette block is 0,2,0 and the accent variants
are 0,3,0, so a chosen accent still wins over it -- and because the
default accent ("teal") has no rule of its own, ihasmail.org's accent is
what shows until someone picks another. Verified both ways in a browser.
It is now what a new account starts on, so the app looks like itself
before anyone has chosen anything. Only a default: a stored theme always
wins, which leaves everyone already using ihasmail where they are, since
the setting is saved whether or not they deliberately picked it.
While here, the theme-color meta tag was fixed. There were two, both
carrying media attributes, and applyTheme looks for
:not([media]) -- so it matched neither and the browser chrome had never
followed the chosen theme at all, only what the OS preferred. One tag
now, updated from JS, starting at the default theme's background so the
first paint is right too.
Contrast measured rather than assumed, against the theme's own
background: text 14.5:1, muted 8.6:1, faint 6.4:1, accent 8.0:1, link
9.8:1, star 7.9:1, accent-on-accent 8.4:1. All AA or better.
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c3cecf9916 |
Let messages follow the app theme, at the user's choice
Messages render on a white card in every theme. That is deliberate for mail that styles itself, but #4 points out the case it gets wrong: a message with no styling of its own has nothing worth preserving, and flashing white at someone reading in the dark is a real cost. Appearance gains a switch under the theme cards, off by default so the current behaviour is unchanged. With it on, HTML mail that declares no colours follows the app theme; mail that sets a background or text colour still gets the light card it was designed for, because half-darkening someone else's design is worse than leaving it alone. Plain-text mail already followed the theme and is untouched by the switch. The themed palette is expressed in the app's own custom properties, which cross the shadow boundary, so switching theme repaints open messages without re-rendering them, and the accent-coloured link stays consistent. The host element takes color-scheme: inherit so form controls and scrollbars inside a message match too. htmlDeclaresColors covers bgcolor attributes, <font color>, and colour or background declarations in style attributes and <style> blocks, while ignoring near-misses like border-color and ?color= in a URL. Closes #4 |
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645b8b510f |
ihasmail 2.0: rebuild as Stalwart-first JMAP webmail
Replace the FastAPI/HTMX prototype with a Node/Hono session proxy and a React 19/Vite SPA. Mail (conversation view, search operators, labels, sanitised HTML, privacy image proxy, invites, undo send, templates), calendar (month/week/day/agenda, invites, free/busy, categories, context menus), contacts (JSContact, groups, vCard), files, Sieve filter builder (incl. filter-from-message with retroactive apply), vacation, identities with default + Reply-To, PWA/mobile layout, push via SSE, in-memory mock Stalwart for dev, Docker + CI. |